Audio Recorders, Mixers & Transmitters #256402

Arthur's Music Jamboree includes. Arthur Plays the Blues Buster's Sweet Success - Although Arthur's beloved piano teacher is retiring, she assures him that the new teacher is outstanding and famous, too! Then Arthur meets Dr. Fugue- who's as strict as he is odd- and begins to doubt his own abilities. Will Arthur be fired from playing the piano? When Buster signs up to sell candy for the band, he figures it's easy money-who doesn't love chocolate? Buster soon wishes that somebody loved it more than he does, because he eats it all himself. Will the band be doomed to wear tattered uniforms and play old instruments forever? My Music Rules That's a Baby Show! - It's the duel of the century as cellist Yo-Yo Ma faces jazz saxophonist Joshua Redman in the toughest gig of their careers.in the Elwood City library--! Whose music will rule after the greats duke it out in the battle of classical versus jazz? In the second story, will Arthur be exposed as a a baby show lover? When he gets hooked on "Love Ducks" he tries to hide it from his friends--not an easy feat since it's on at the same time as the new Bionic Bunny spin-off everyone's talking about!

Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others. But Jazz is more than mere biography. The history of the music echoes the history of twentieth-century America. Jazz provided the background for the giddy era that F. Scott Fitzgerald called the Jazz Age. The irresistible pulse of big-band swing lifted the spirits and boosted American morale during the Great Depression and World War II. The virtuosic, demanding style called bebop mirrored the stepped-up pace and dislocation that came with peace. During the Cold War era, jazz served as a propaganda weapon--and forged links with the burgeoning counterculture. The story of jazz encompasses the story of American courtship and show business; the epic growth of great cities--New Orleans and Chicago, Kansas City and New York--and the struggle for civil rights and simple justice that continues into the new millennium.

Episode One- Gumbo: Making Of JAZZ - A Special Featurette Episode Two- The Gift: Performance - Louis Armstrong "I Cover The Waterfront" (1933) Episode Three- Our Language Episode Four- The True Welcome Episode Five- Swing-Pure Pleasure Episode Six- Swing-The Velocity Of Celebration Episode Seven- Dedicated To Chaos: Complete Performance - Duke Ellington "C-Jam Blues" (1942) Episode Eight- Risk Episode Nine- The Adventure Performance - Miles Davis "New Rhumba" (1959) Episode Ten- A Masterpiece By Midnight Jazz: A History of America's Music (Paperback) Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others.

Jazz: A History of America's Music (Paperback) Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others. Visually stunning, with more than five hundred photographs, some never before published, this book, like the music it chronicles, is an exploration--and a celebration--of the American experiment.